Our 5th annual Bad Dads exhibition opens Halloween weekend!
Get more info on the opening reception and costume party HERE
Wes Anderson Lego GIF courtesy of Matt Chase
"We’re all victims of the architect. Architecture is the only art that you can’t help but feel. You can avoid paintings, you can avoid music, and you can even avoid history. But good luck getting away from architecture."
Tim Walker’s Pastel Cats
"A lot of people get confused when they see this image. They think it was done by computer, but we actually took pigment powder, mixed it with talc to get the right ice-cream pastel colours, and brushed it into the cats.
The owners were two proud members of the Persian cat club. I can’t remember how I found them, but they turned up in a van, covered in cat fur, and stood breathing down my neck as I took the picture. We were worried about putting all that powder into the animals’ fur, but they said, ‘Oh no, they absolutely love it.’ The cats were such vain creatures - they adored being touched and pampered.
We didn’t really think about which cats, or how many, should be done in which colours. We just did each one, and then they had to go back into their cat beds in the owners’ van. I think I lost count of how many were pink and how many were blue, but when we were finished they all came out and looked great together. There wasn’t enough light to do the picture indoors - but, by a fluke, all the cats seemed to gravitate to this clematis at the bottom of some steps. I didn’t arrange them. This is just what the cats did, and they all pretty much stayed where they were throughout. So it’s actually quite a naturalistic portrait - apart from the colour.
At the time, in May 1998, I had no idea how the picture would resonate with people. But it has been the image I’ve been asked about the most. For some reason, people are just fascinated with it - more than any model, house or celebrity I’ve ever shot. Everyone wants to know about the pastel cats.” -Tim Walker
Interview by Leo Benedictus
“There have been very good parts and very bad parts, but in the end, I love life. Every night before I sleep, I ask God for three more years, so that I can make it an even one hundred. Then I recite a blessing that my mother gave me when I left her in Poland. It was the last time I saw her. The blessing is much more powerful in Hebrew, but it says: ‘Wherever you go, may people always recognize that you have a beautiful heart.’”
While Anne Frank may be the face of the Holocaust of European Jewry, the memory of the experiential reality of the Holocaust is male. The way we conceptualize and remember the concentration camp experience is constructed by male narratives. More Jewish men survived the Holocaust than Jewish women. Due to attitudes towards education in the interwar period, more male Jewish survivors had the education and literary capital needed to craft enduring narratives of their experiences than did female Jewish survivors. There are three foundational male Holocaust survival narratives: Night by Elie Wiesel, Survival in Auschwitz by Primo Levi, and Maus by Art Spiegelman about his father’s Holocaust experience. Never have I seen those three men and their narratives used as a joke, or a meme, or a cheap narrative device, or as self-promotion by an American pop star.
These men are revered, and their narratives taken extremely seriously. And none of them, none of them have been used in a prop in a story about terminally ill gentile American teenagers. They survived, in perhaps the type of heroic arc a John Green protagonist would yearn for. Yet Augustus doesn’t look to them. He doesn’t share a kiss with his girlfriend at Auschwitz. He shared a kiss with her in the Anne Frank House.
Anne Frank is not a prop. She is not a symbol, she is not a teenager who happened to die of an illness, and she is not one of the canonical Jewish male survivors. She is one of many millions of Jewish women and girls who were industrially murdered like livestock, incinerated, and left in an unmarked grave."
Great quote from a great blog, historicity-was-already-taken. I excerpted it because I wanted to highlight her analysis of the female experience of the Holocaust without too much John Green involved. [x] (via bride-of-bucky)